Staying true to your values – a singing teacher’s guide to change
In the final part (16) of her AOTOS Keynote speech, Dr Gillyanne Kayes looks to the future of singing teaching and reminds us to include our personal values and history in our training.
“Listen, change is going to happen, and without question it has accelerated across the last 2 decades. How can we hold on to what is meaningful to us and take those changes into account?
Please take a moment to celebrate what you do ALREADY
Some of you will have been thinking this as we went along – ‘well I do that’. Sometimes you were doing it intuitively all along – there just wasn’t a name for it!
I also encourage you again to identify your personal values – our values lead us to a place of certainty
You’ll know who you are, what your history is, what your strengths and weaknesses are, and understand what it is you can offer that’s unique to you. You don’t need to do it all!
And you’ll be able to identify the people and places you can go to for support, advice, growth – one of the reasons you’re in this room right now.
I decided after all of that to revise the mindmap.

You know, when I thought about the mindmap at the beginning, especially the expanded one, I realised how significant it is that we use words and that our voice is in our body. Duh!
It’s a profound aspect of singing that makes it unique amongst other forms of music making. It allows for us to express nuanced thoughts and also to communicate depth of thought and emotion.
I think at its very core, singing allows us to connect with ourselves and share our humanity with others.
And do you know, I doubt that will change.
Thank you, it’s been a privilege to share this with you.”
Gillyanne’s Further Reflections
After I had finished the keynote, I had a chance to chat with other AOTOS members. I was please to hear that something had resonated with everyone. Some colleagues commented that it was nice to see ‘set out’ the complexity and depth of what it is we do. And it was no surprise to hear that the more mature and experienced teachers did indeed say “I know that I have been doing this – we just didn’t have a title for it”.
What pleased me especially though was that both the newer teachers and community choir leaders were moved by the speech. They felt SEEN.
And that is what we can all do for each other by getting together, sharing our practice and being able to recognise and appreciate others’ values as well as to honour our own.
See below for the links to all 16 parts of Gillyanne’s AOTOS Keynote
If you’re eager to understand more about what we CAN do to assist our students when they’re dysregulated, click here for our new online 2-hour Pop-up course with Franka Van Essen Creating a safe space: insights from polyvagal theory for vocal professionals
Join the Vocal Process Learning Lounge with over 600 voice training resources for singers, singing teachers, vocal coaches, choir leaders and animateurs
If you’d like to see the diversity of teacher backgrounds and specialities in our own Registered Teacher community, head to our Meet The Team page
And feel free to contact Gillyanne for a Discovery call to find out more about our next Accreditation cohort here
All parts of Gillyanne’s AOTOS Keynote speech
Click here for part 16 – Staying True To Your Values – a singing teacher’s guide to change
Click here for part 15 – Connecting Through Song: The role of singing leadership in public health
Click here for part 14 – From Boomers to Zoomers: Bridging the Tech Gap in Singing
Click here for part 13 – The Impact of Social Censorship on Singing Education and Song Choices
Click here for part 12 – Are We Trauma-Informed? A Guide for Singing Teachers
Click here for part 11 – Mind The Gap – Vocal Health Care in Singing Education
Click here for part 10 – Singing Teaching is an Unregulated Profession: Is that a good thing?
Click here for part 9 – The Power of Collaborative Working: Building a community of enquiry in singing
Click here for part 8 – Walking alongside: Client-centred singing teaching
Click here for part 7 – Beyond the Master-Apprentice Model: Empowering teachers AND singers
Click here for part 6 – Balancing voice science and art: Rethinking vocal pedagogy
Click here for part 5 – Different learning styles: Supporting neurodiverse students in voice training
Click here for part 4 – Embracing gender diversity in singing: Insights for singing teachers
Click here for part 3 – Navigating Personal Taste: How Your Taste Preferences Shape Your Vocal Training
Click here for part 2 – What Does A Singing Teacher Do?
Click here for part 1 – Embracing Diversity in Singing: What Defines Good Singing Today?

